]]]]] PROGRAM [
Welcome to Amsterdam Fringe x NTF PRO – the national conference for theatre professionals across generations and disciplines. As both our festivals kick off, this is the place to be for two days of conversations between actors and technicians, students and seasoned experts, marketeers and policy makers, Fringe creators and artistic directors, critics and professional associations – in short: colleagues from across the Dutch performing arts field.
Over the past year, in preparing this event, we’ve had the chance to engage in many conversations with the wide networks of both Amsterdam Fringe and NTF — from grassroots initiatives to national associations. We spoke with venues across the country, as well as with artists abroad (from Asia to North America). We’ve connected with schools, critics, funding bodies, designers, artistic directors, dramaturgs, marketing teams, and learning networks.
This new, expanded edition is about ]]]] connection, encounter, equality, and the exchange ]]]] of perspectives within the performing arts. The program is multivoiced – and so was its development. This year, we were lucky to collaborate with curators Lara van Lookeren and Brandon Oelofse. We gladly hand over the word to them.
Wishing you lots of inspiration,
Farnoosh Farnia & Tobias Kokkelmans
[[[ Art in Times of Resistance
“For this year’s Amsterdam Fringe x NTF PRO program, we have curated a two-day program under the thematic umbrella: Art in Times of Resistance. This theme reflects our commitment to engage with the urgency and complexity of today’s socio-political climate – both locally and globally.
The 2025 PRO program is a reflection of where we stand as a field, what we’re feeling, and what we believe theatre can do in this moment. We are living in a time when reactionary forces are gaining ground — when repression, erasure and fear are being used as political tools. A time defined by division, isolation, and paralysis.
We believe in the counterforce of connection, action, and shared responsibility. Alone we are vulnerable, but together we have enormous strength. That is the heartbeat of this year’s PRO program.
Our selection of sessions addresses key questions around solidarity, sustainability, artistic autonomy, digital platforms, and political agency. Using formats that range from lightning talks and collective manifestos to speculative panels and hands-on breakouts, we aim to create space for dialogue and collective reflection — grounded in real tools, networks, and strategies.
And while we are deeply rooted in the urgency of now, we are also looking ahead — beyond reaction, beyond crisis — toward the cultural and artistic future we want to build together. A future shaped by care, community, and courage.
This program doesn’t offer fixed answers. It is a space for friction and shared ownership. Together, we hope to explore how theatre can resist, transform, and act.” — Brandon Oelofse & Lara van Lookeren
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Amsterdam Fringe x NTF PRO is made possible in collaboration with many organizations and initiatives across the country, including: NAPK, VVTP, Erika Zeegers, Lobby Lokaal, De Metselarij, ACT Acteursbelangen, Makers Monday, Kunsten ’92, Theaterkrant, The Circle of Dutch Theatre Critics, The Dramaturgs’ Association in formation, Platform-Scenography (P-S), De Schuur, the four MBO theater schools, ITA, De Balie, De Brakke Grond, Frascati, BNG Cultuurfonds and the VSB Fonds.
Conversation on the ways in which artificial intelligent affects our theatrical practice now and in the future
Three theater makers discuss how theater relates to war, in a world where war is reality
A diverse panel explores the real challenges of creating activist theater
How can Dutch theatre and performance makers build a sustainable international practice — and why does it remain so challenging, even with existing funding schemes and growing global interest?
Artists share their perspectives on accessibility, visibility and collaboration in the performing arts
Joint exploration of the tensions between artistic freedom, institutional responsibility and political realities
How can we make care a collective responsibility?
Inspiring examples from artistic practices
Meeting on alternative forms of collaboration and decision-making from the perspective of
invisible theater workers
Prof. Dr. Payal Arora on Lessons from the Global South on Designing Inclusive Tech
A practical masterclass on lobbying: how do we move from reactive protest to strategic, systemic lobbying?
EXHIBITION featuring the nominees for the 2025 Designers Award
In this session, we explore how associations and networks within the theatre sector can build sustainable momentum and solidarity — not just to stay afloat, but to actively shape the future of the field.
Students from four Dutch MBO theatre schools come together to share their views on the theatre of tomorrow
This breakout session is for scenographers, costume designers, and anyone who identifies with the broad, often intangible field of theatrical design
Time to reposition. Time to unite. Time for collective action.
The Kring van Nederlandse Theatercritici invites you to a thought-provoking conversation about arts criticism, solidarity, and collective power
Ethical dilemmas for cultural marketers in the grip of powerful tech giants
Hybrid financing as a future model for a resilient cultural sector
The Amsterdam Fringe Festival offers a platform each year to a new generation of theatre makers.
A powerful collective statement about the future of theatre as young theatre-maker
Meeting between the nominees of the BNG Theater Award and the public
What are the assumptions and consequences of colourblind casting within the Dutch theater sector?
As traditional arts funding structures face mounting pressure, new models are emerging that place audiences at the heart of financial sustainability.
On June 12th, there was a debate on culture in the Tweede Kamer (the Dutch House of Representatives). The previously anticipated ‘outline letter’ regarding the extension of the cultural policy period was not addressed in the Council of Ministers. While the conversation in The Hague is now mainly revolves around extending the subsidy period, the comprehensive advisory report ‘Toegang tot cultuur’ (Access to Culture) by the Raad voor Cultuur (Council for Culture) is also on the table.
Ex-director Kennedy Center (Washington D.C.) visits the Dutch Theater Festival